Weber State University
   

Performing Arts

Theatre Arts

Assessment Plan for Theatre Arts Major

Assessment Plan for Theatre Education

Assessment Plan for Musical Theatre


Assessment Plan For Theatre Arts Major

June 19, 2000

Student Learning Outcome Assessment Procedure When Assessed
1. Have writing skills and ability to use research tools (library, internet, etc.) Research projects, design projects, written examinations, creative writing, journals, reviews and critiques of productions, preparation of portfolio materials. Ongoing through the semester.  At the completion of a program.  Informal assessment on a daily basis, formal assessment at midterm and end of semesters.
2. Have a practical, working knowledge of how to produce a play on stage, including all related performance, script, design, and technical considerations. Simulated and actual production activities, internship opportunities, script analysis, critical evaluations and faculty feedback of students' technical progress. Ongoing through the semester.  In the rehearsal and production of plays.  In auditions.
3. Have the ability to critically evaluate what they and others have created. Reviews and critiques of productions, both oral and written.  Written and oral evaluation from instructor and peers, plus self evaluation. During post production periods.  In auditions.
4. Develop necessary skills to be proficient in at least one area of theatre (performance, teaching, technical/costume, technical/scene design, directing, theatre management, or playwriting), with the ability to identify, analyze and resolve specific problems pertaining to that area. Critical response by faculty of applied projects and exercises in the various areas, audience feedback of public performance, outside adjudication. Ongoing through the semester.  Assessment related to production periods.  In auditions.
5. Understand the historical context of theatre and drama, including how it relates to contemporary society and culture. Written examinations, research and creative projects, written synopses, self, peer, and faculty discussions. Ongoing through the semester.
6. Have experience with individual and collaborative processes needed to produce and understand theatre. Written and oral examinations, portfolio review, critique of public performance. Ongoing through the semester.  In auditions.

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Assessment Plan For Theatre Education

June 19, 2000

Student Learning Outcome Assessment Procedure When Assessed
1. Have writing skills and ability to use research tools (library, internet, etc.) Research projects, design projects, written examinations, creative writing, journals, reviews and critiques of productions, preparation of portfolio materials. Daily.
Weekly.
Major Assignments due at the end of each semester.
2. Have a practical, working knowledge of how to produce a play on stage, including all related performance, script, design, and technical considerations. Simulated and actual production activities, internship opportunities, script analysis, critical evaluations and faculty feedback of students' technical progress. Weekly.
3. Have the ability to critically evaluate what they and others have created. Reviews and critiques of productions, both oral and written.  Written and oral evaluation from instructor and peers, plus self evaluation. Four written and oral reviews. Major self evaluation at the end of the semester.
4. Understand the historical context of theatre and drama, including how it relates to contemporary society and culture. Successful completion of the Theatre History and Literature classes. Upon enrollment into the Methods Course as a prerequisite.
5. Have experience with individual and collaborative processes needed to produce and understand theatre. Written and oral examinations, portfolio review, critique of public performance. Weekly.
6. Be able to articulate a philosophy of theatre education on the secondary level. Successful completion of theatre education courses on the secondary level. Weekly.
7. Be able to create a theatre program on the secondary level. Demonstration of the development of a 12-week course of study for high school theatre programs. Creation of a 12-week course of study.
8. Have knowledge of how to use successful teaching strategies on the secondary level. Teaching in theatre education class along with teaching experiences in the student teaching program. Actual teaching in three 1-hour sessions.
9. Be able to create and develop proposed classes for a secondary school drama program. Demonstration of a weekly and daily lesson plan for a 12-week public school course of study. Creation of a 12-week course of study.
10. Be able to demonstrate effective classroom management skills and teaching techniques. Demonstration of peer teaching and student teaching techniques. Actual teaching of three 1-hour classes.

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Assessment Plan For Musical Theatre

June 19, 2000

Student Learning Outcome Assessment Procedure When Assessed
1. Have writing skills and ability to use research tools (library, internet, etc.) Research projects, character analyses, written examinations, journals, reviews and critiques of production. Ongoing through the semester.  At the completion of a program.  Informal assessment on a daily basis, formal assessment at midterm and end of semesters.
2. Be able to research, prepare, and perform roles in musical theatre with depth in each of the three disciplines: acting, singing and dance. Simulated and actual production activities, internal opportunities, script analysis, critical evaluation and faculty feedback of students' technical progress. Ongoing through the semester.  In the rehearsal and production of plays.  In auditions.
3. Be able to learn choreographic sequences and demonstrate them with security, character, and stage presence. Examination and faculty feedback, public performance. Ongoing through the semester.  Assessment related to production periods.  In auditions.
4. Be able to read music and demonstrate sight-singing skills.  Public presentation, presentation of portfolio materials. Ongoing through the semester.  Assessment related to production periods.  In auditions.
5. Be able to present critical thinking through verbal and written presentations regarding the musical theatre.  Specific areas of expertise will include major works, major figures (librettists, composers, lyricists, performers, directors, choreographers), theory, and history. Research and creative projects, self, peer, and faculty discussion, capstone projects, oral and written reports. Ongoing through the semester.

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